he RG-shaped Ibanez Signature PGM is built for the super-sonic fret travel that has made virtuoso Paul Gilbert famous throughout the known universe. With its painted F-holes, reverse headstock and brilliant White finish, the PGM is a bright star in the black sky, shining down rays of crackling , electric notes, too fast to count, too bright to look at.
"When it comes down to playing a straight, no-nonsense, face-melting shred guitar solo, I go straight to my PGM301. It is the easiest guitar to play in my whole collection, and still has the best balance of picking clarity and percussive thickness."--Paul Gilbert
Ibanez (pronounced /ˈaɪbænɛz/ or /aɪˈbænɛz/) is a guitar brand owned by Hoshino Gakki and based in Nagoya, Aichi, Japan. Hoshino Gakki were one of the first Japanese musical instrument companies to gain a significant foothold in the United States and Europe.
The Hoshino Gakki company began in 1908 as the musical instrument sales division of the Hoshino Shoten bookstore company. In 1935, they began manufacturing their own stringed instruments. While the company had little presence in the Western world until the mid-1960s, the Ibanez name dates back to 1929 when Hoshino Gakki began importing Salvador Ibáñez. When the Spanish workshop was destroyed during the Spanish Civil War and the original guitars became unavailable (and very much sought after because of their excellent quality), Hoshino Gakki bought the Ibanez brand name rights and started making Spanish and acoustic guitars on their own, first as "Ibanez Salvador", and later as "Ibanez". The modern era of Ibanez guitars began in 1957 and the late 1950s and 1960s Ibanez catalogues show guitars with some wild looking designs. Japanese guitar makers in the 1960s were mostly copying European guitar designs and some of the late 1960s Ibanez designs were similar to Hagström and EKO guitar designs. Hoshino Gakki used the Teisco and FujiGen Gakki guitar factories to manufacture Ibanez guitars after they stopped manufacturing their own guitars in 1966 and after the Teisco guitar factory closed down in 1969/1970 Hoshino Gakki used the FujiGen Gakki guitar factory to make most Ibanez guitars. In the 1970s Japanese guitar makers started to mainly copy American guitar designs and Ibanez branded copies of Gibson, Fender, Dan Armstrong and Rickenbacker models started to appear. This resulted in the so called Ibanez lawsuit period. After the lawsuit period Hoshino Gakki introduced Ibanez models that were not copies of the Gibson or Fender designs such as the Iceman and Ibanez Roadstar. The company has produced its own guitar designs ever since. The late 1980s and early 1990s were an important period for the Ibanez brand. Hoshino Gakki's relationship with Frank Zappa's former guitarist Steve Vai resulted in the introduction of the Ibanez JEM and the Ibanez Universe models and after the earlier successes of the Roadstar and Iceman models in the late 1970s/early 1980s, Hoshino Gakki entered the superstrat market with the RG series which were a lower priced version of the Ibanez JEM model. Hoshino Gakki also had semi acoustic, nylon and steel stringed acoustic guitars manufactured under the Ibanez name. Tama acoustic guitars were made from 1974-1979 at the Tama Drum factory. In 1979 the Tama acoustic guitars were renamed as the Artwood Series and were also made at the Tama Drum factory. Most Ibanez guitars were made for Hoshino Gakki by the FujiGen guitar factory in Japan up until the mid to late 1980s and from then on Ibanez guitars have also been made in other Asian countries such as Korea, China and Indonesia. During the early 1980s the FujiGen guitar factory also produced most of the Roland guitar synthesizers, including the Stratocaster-style Roland GR-505, the twin humbucker Roland GR-202 and the Ibanez X-ING IMG-2010. Sometimes stencil (template) guitar designs were shared by Japanese guitar companies and distributors so an early Hoshino Ibanez branded guitar might look the same as another brand name guitar produced by a different Japanese distributor but only Ibanez, Cimar by Ibanez and Maxxas branded guitars were made for Hoshino Gakki and are the only guitar brand names that have appeared in Hoshino Gakki catalogues. Cimar guitars were not produced by Hoshino Gakki but "Cimar by Ibanez" guitars were produced for Hoshino Gakki by Cimar. The Starfield guitar brand was also owned by Hoshino Gakki. In the 1970s, Hoshino Gakki and Kanda Shokai shared some guitar designs and so some Ibanez and Greco guitars have the same features. The Kanda Shokai Greco guitars were sold in Japan and the Hoshino Gakki Ibanez guitars were sold outside of Japan. From 1982, Ibanez guitars have also been sold in Japan as well as being sold outside of Japan. Guitar brands such as Antoria shared some Ibanez guitar designs. The Antoria guitar brand was managed by JT Coppock Leeds Ltd England. CSL was a brand name managed by Charles Summerfield Ltd England. Maurice Summerfield of the Charles Summerfield Ltd company contributed some design ideas to Hoshino Gakki and also imported Ibanez and CSL guitars into the UK with Hoshino Gakki cooperation from 1964-1987. The Maxxas brand name came about because Hoshino Gakki thought that the guitar did not fit in with the Ibanez model range and was therefore named Maxxas by Rich Lasner from Hoshino USA.
Harry's Rosenbloom, of Medley Music, based in Ardmore, Pennsylvania, was manufacturing handmade guitars under the name "Elger." By 1965 Rosenbloom had decided to stop manufacturing guitars and chose to become the exclusive North American distributor for Ibanez guitars. In 1971 Hoshino purchased Elger Guitars, renaming the company "Hoshino U.S.A." and retaining the company headquarters in Bensalem, Pennsylvania as a distribution and quality-control center. The so called lawsuit was brought by the "Norlin Corporation", the parent company of Gibson guitars against Elger/Hoshino U.S.A. in 1977, and was based on an Ibanez headstock design that had been discontinued by 1976. Hoshino settled out of court, and by 1978 had begun making Ibanez guitars from their own designs. After the so called lawsuit Hoshino Gakki abandoned the strategy of copying "classic" USA electric guitar designs and moved to the popular superstrat era in the mid-1980s. The newer Ibanez models began incorporating more modern elements into their design such as radical body shapes, slimmer necks, flatter 2-octave fingerboards (which allowed for faster playing), slim pointed headstocks, higher-output electronics, humbucker/single-coil/humbucker pickups, locking tremolo bridges and more colourful finishes.
