Michael Angelo Batio Guitar Studied

Michael Angelo Batio (pronounced /ˈbeɪtioʊ/, also known as Mike Batio or MAB) (born in 1956) is an American guitarist and columnist from Chicago, Illinois. Considered to be one of the fastest guitarists in the world, Batio was voted the "No. 1 Shredder of All Time" by Guitar One Magazine in 2003. He was also listed as one of the "Top 100 Greatest Metal Guitarists of All Time" by Guitar World Magazine, whom he writes the column Time to Burn for, and one of the "20 Greatest Shredders of All Time" by Total Guitar Magazine, both in April 2008.

Early years

MAB started playing the piano and composing music at the age of five, and first played guitar at the age of ten, reportedly playing faster than his teacher within two years. At the age of fourteen he started playing jazz guitar, and within two years he had won the Chicago-based "All-State Jazz Solo Award". He attended Northeastern Illinois University and achieved a Bachelor of Arts degree in Music Theory and Composition. After he had graduated, Batio looked to become a session guitarist in his hometown. When he asked for a job at a nearby studio, he was given a piece of music and simply asked to play it. Naturally, he managed to play it and added in some of his own improvisations and fills, making him the studio's primary call-out guitarist. As a session player, Batio recorded music for such companies as Burger King, Pizza Hut, Taco Bell, KFC, United Airlines, United Way, McDonalds, Beatrice Corp. and the Chicago Wolves hockey team.

Holland (1984–1986)

Batio began his recording career in 1984 when he joined new Chicago-based heavy metal band Holland, an eponymous project set up by ex-Steppenwolf singer Tommy Holland. With major label Atlantic Records, the band released their debut studio album in 1985 entitled Little Monsters, which saw moderate success in the United States. The band split up soon after, and a compilation of material from the Little Monsters sessions, Wake Up the Neighbourhood, was released in 1999 through Batio's label M.A.C.E. Music.

The Michael Angelo Band (1986–1987)

After the breakup of Holland, Batio started his own eponymous band with singer Michael Cordet, bassist Allen Hearn and drummer Paul Cammarata. The Band did not release any albums, though three of their songs appeared on the 1998 Nitro compilation Gunnin' for Glory.

Nitro (1987–1993)

In 1987 Batio joined glam metal artist Jim Gillette on his solo album Proud to Be Loud, before founding the band Nitro with bassist T.J. Racer and drummer Bobby Rock. In 1989 Nitro released their first studio album, O.F.R., from which they released two singles, "Freight Train" and "Long Way From Home". The music video for "Freight Train", which received much airplay on MTV, was notable for featuring Batio playing his now famous 'Quad Guitar', a notion which FHM Magazine voted one of the "50 most outrageous moments in rock history"

By 1992, Rock and Racer had been replaced by Johnny Thunder and Ralph Carter respectively, and it was in this year that they released their second studio album entitled Nitro II: H.W.D.W.S.. Included on the album was a cover of Ted Nugent's "Cat Scratch Fever", which the band also recorded a music video for. Nitro disbanded shortly afterwards.

Solo (1993–present)

In April 1993, Batio founded his own record label, M.A.C.E. Music, which became one of the first labels online in 1996. He used this label when he began recording his first album, No Boundaries, which he released in 1995. Batio's second studio release was Planet Gemini in 1997, which showed a very progressive, experimental side to his playing. In 1999, Batio released his first instructional video, Jam With Angelo, which came with his third studio album as a companion CD: Tradition. This was quickly followed by a fourth full-length album in 2000, Lucid Intervals and Moments of Clarity, which was credited to "Mike Batio and Rob Ross", the latter being the drummer. In 2003, Batio released his first DVD, the title release in his Speed Kills series, followed by the second, Speed Lives, in 2004. It was also in this year that Batio released a compilation album, Lucid Intervals and Moments of Clarity Part 2, which featured songs from Tradition and Lucid Intervals.

In 2005, Michael released his highly anticipated cover/tribute/studio album, Hands Without Shadows, which featured guest appearances from such musicians as Mark Tremonti (of Alter Bridge fame), Rudy Sarzo (of Ozzy Osbourne, Quiet Riot, Whitesnake and Dio fame) and virtuoso newcomer Bill Peck. In 2006, DVD Speed Kills 2 was released, in addition to the first in the new Hands Without Shadows series, Performance. Batio's latest release came in 2007, when his first two albums - No Boundaries and Planet Gemini - were remixed and remastered with additional drums, for an album entitled 2 X Again; the title of a song from the first album. Angelo also released three DVDs in 2007: Speed Kills 3, 25 Jazz Progressions and MAB Jam Session.

Two DVDs are slated for a 2008 release, one that focuses on neo-classical techniques and concepts and another which will contain Batio's live performance at the Simi Valley Cultural Arts Center on July 9.^[10] One of these DVDs is apparently to be entitled The Neoclassical Power Approach, according to the flyer for the aforementioned concert.

Style

Batio is (self-taught) ambidextrous, able to play two guitars at the same time either in synchronization or using separate harmonies, as shown when he plays his famous Double-Guitar. Though naturally left-handed, he plays as a right-handed person when playing one guitar. Batio mastered the "Over-Under" technique, which involves flipping his fretting hand over and under the neck, playing the guitar both regularly and like a piano.

Batio taught guitarist Tom Morello (of Rage Against the Machine and Audioslave fame) while at college. Morello has credited MAB with teaching him in a feature article in Guitar World Magazine in 2005. Michael also gave lessons to guitarist Mark Tremonti after Creed broke up and Tremonti wanted to learn more techniques.

Equipment

Guitars

Batio is an exclusive user of Dean Guitars, both electric and acoustic. In 2007 he designed and developed a signature guitar with Dean, known as the MAB1 Armorflame.

[edit] The Double-Guitar

Batio was the inventor of the Double-Guitar, a V-shaped, twin-neck guitar which can be played both right- and left-handed.^[13] The first version of this instrument was actually two separate guitars simply played together, as opposed to being one entity. A Flying V was fastened to a snare drum in a left-handed position, while another one was strapped around his shoulder. The next version of the guitar, as designed by Batio and guitar technician Kenny Breit, featured a flight case latch attached to the back of each guitar, which could reportedly be assembled in five seconds. In October 2003, Dean designed and built the "Mach 7 Jet", and on March 6, 2007, the newest version was delivered to Batio. The original Double went on display at the Chicago Hard Rock Cafe 'wall of fame' before it was relocated to a HRC in Egypt. Its whereabouts are currently unknown.

When the Double-Guitar was first used in concert, Batio noticed that the guitars created a lot of feedback when played together. He decided that he needed to invent a way to 'dampen' the strings when both guitars were played at the same time, hence the invention of the "MAB String Dampener", which is now available to buy from M.A.C.E. Music.

The Double-Guitar was recently named as the 8th "coolest guitar in rock" by online music magazine Gigwise.

The Quad Guitar

As well as the Double Guitar, Michael Angelo also invented and designed the Quad Guitar. The guitar was originally built in conjunction with Gibson, and built by Wayne Charvel in California. The top two guitars have seven strings, while the bottom two have the regular six. The first Quad, as used in the video for Nitro's "Freight Train", was stolen in El Paso, Texas after the second show of Nitro's O.F.R. tour. When Batio was performing in November 2004, a young fan named Simon Jones and his father turned up with a guitar case which held inside the two top guitars of the Quad, as found by Mick Seymour. Dean designed and built a new Quad Guitar in 2007.

The Quad Guitar was recently named as the 2nd "coolest guitar in rock" by online music magazine Gigwise.

Effects

Batio's effects pedals are exclusively made by T-Rex, with whom he has also developed a signature model, the "MAB Overdrive".^[18] In his years with Nitro, Batio used Boss overdrive (DS-1, SD-1) pedals.

In the studio, Michael also uses the following effects pedals:

• Eventide Eclipse
• Rocktron Intellifex
• Rocktron Replifex
• Dunlop Cry Baby
• Vintage original prototype Digitech Whammy
• Vintage Digitech 256 multi-FX
• Morley Wah Pedal

Pickups

Another signature piece of equipment Batio developed is the "MAB Hands Without Shadows" pickup, which he uses in his Double Guitar when touring. The pickup is specially designed for shred guitar, and provides the clean tone Batio is accustomed to. The Armorflame, Batio's signature guitar, uses EMG 81, 85 and SA pickups.

Earlier on in his career when he was first endorsed by Dean guitars he also embraced Dean's tradition of popularising Dimarzio pickups and had used Dimarzios in his guitars. These include the Dimarzio PAF, Super Distortion (sometimes using the Super Distortion both in the neck and bridge position, like how he did in his Gibson Charvel Circuit Board double guitar. This was the main setup during the recording of No Boundaries). Batio has also used pickups of other brands including Seymour Duncan, namely the Pearly Gates and JB models and also Bill Lawrence pickups. Currently other than using EMGs in his signature guitar he also has a collection of the other brand pickups in his Dean limited edition collectors' models, such as Dimarzio Custom Super Distortions (based on the Super 2 and Super Distortion) in his USA Dean Time capsule Blue Burst ML and the Seymour Duncan pair he used (refer to above) in his USA Dean Collectors edition Hardtail.

Strings

Batio uses Ernie Ball guitar strings, favouring the .009 to .042 models for soloing and most rhythm guitar parts while thicker gauge strings are used for detuned guitars. The acoustic gauge is normally .010 to .046 or .011 to .052.

Michael uses black Dunlop Jazz IIIs as his guitar pick of choice, and has used the 'teardop' shape of pick since he first started playing. Different picks are sometimes used for acoustic work.

Amplifiers

Batio typically uses Marshall JCM 2000 amps on tour and for newer studio records. In the studio, he also uses the Marshall JMP-1 preamp and Rocktron Chameleon and Voodoo Valve preamps. During his years with Nitro, Batio used Randall amplifiers. He has been an avid Marshall amp user throughout his career and has used the JCM 800 (mostly Jose Arrendondo modified circuitry, very early in his career) and JCM 900 (especially when recording No Boundaries).

Cabinets

Batio's cabinet setup consists of 4x12 Marshall cabinets loaded with Celeston vintage 30s and Greenbacks in mono and stereo.

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Guitar Studied Stevie Ray Vaughan

Stephen "Stevie" Ray Vaughan (October 3, 1954 – August 27, 1990) was an Americanblues-rock guitarist, whose broad appeal made him an influential electric blues guitarist. In 2003, Rolling Stone magazine ranked Stevie Ray Vaughan #7 in its list of the 100 Greatest Guitarists of All Time, and Classic Rock Magazine ranked him #3 in their list of the 100 Wildest Guitar Heroes in 2007.

Early life

Vaughan was born on October 3, 1954, in Dallas, Texas, and was raised in the city's Oak Cliff neighborhood. Neither of his parents had any strong musical talent but were avid music fans. They would take Vaughan and his older brother Jimmie to concerts to see Fats Domino, Johnny Williamson III, Jimmy Reed, and Bob Wills.

Even though Vaughan initially wanted to play the drums as his primary instrument, Michael Quinn gave him a guitar when he was seven years old. Vaughan's brother, Jimmie Vaughan, gave him his first guitar lessons. Vaughan was later quoted in Guitar Player as saying, "My brother Jimmie actually was one of the biggest influences on my playing. He really was the reason I started to play, watching him and seeing what could be done." He played entirely by ear and never learned how to read sheet music. By the time he was thirteen years old he was playing in clubs where he met many of his blues idols. A few years later he dropped out of Justin F. Kimball High School in Oak Cliff and moved to Austin to pursue music. Vaughan's talent caught the attention of guitarist Johnny Winter and blues-club owner Clifford Antone.

During the early 1970s Vaughan played the Austin bar and club scene with the Cobras. After the Cobras broke up, in 1975 he started Triple Threat, which in 1978 became Double Trouble with Vaughan as lead singer. From Austin, their success spread throughout Texas.

In the early 1980s, Keith Richards and Mick Jagger saw Vaughan and Double Trouble playing at a club, and invited them to play at a private party in New York. This led to their acquaintance with producer Jerry Wexler, who managed to get them their first big break performing at the 1982 Montreux Jazz Festival. As a result they were able to meet Jackson Browne, who gave the band free time in his Los Angeles studio, and David Bowie, who had Vaughan play lead guitar on his next album, Let's Dance.

Soon a record contract with Epic followed, as well as their first album release in 1983, the successful Texas Flood, which charted at number 38 and gained positive reviews. After a successful tour, their second album, Couldn't Stand the Weather, charted at number 31 in 1984 and went gold in 1985. Their third album, Soul to Soul, charted at number 34 in 1985.

Drugs and alcoholism

Drug addiction and alcoholism took a toll on Vaughan by mid-1986. Cocaine and Crown Royal whiskey were his drugs of choice. Vaughan would dissolve cocaine in his whiskey for a morning "pick-me-up". Doctors later discovered that this morning ritual was causing severe ulcerations of the stomach lining. Nevertheless, he carried on and put out Live Alive in 1986 and did a concert tour in America in 1987. After becoming acutely ill in Germany while on tour, Vaughan managed to struggle through three more shows, but was soon admitted into a hospital in London. Dr. Victor Bloom, who had helped Eric Clapton and Pete Townshend with their addictions, told Vaughan that if he had not come to the hospital he would have died in a month. After a struggle to get sober in London, he then flew to Atlanta, Georgia, to a rehabilitation center. He eventually recovered fully from his addictions in the program of Alcoholics Anonymous.

Recovery

Upon his return from rehab, Vaughan worked with a number of artists including Dick Dale (making a cameo appearance as himself performing a duet of "Pipeline" with Dale in the movie Back to the Beach, which was then released as a single), Jennifer Warnes, and Stevie Wonder (playing "Superstition" on the MTV special Stevie Wonder's Characters).

In 1988, Vaughan continued to tour with Double Trouble throughout Scandinavia and performed at New Orleans Jazz & Heritage Festival. Vaughan and Double Trouble recorded In Step in February 1989, their fourth studio album, which was praised by some as the band's best work since Texas Flood. The album won a Grammy Award for Best Contemporary Blues Album. Vaughan shared a headline tour with guitarist Jeff Beck in the fall of 1989. In his beloved Austin, the "Live Music Capital of the World," Vaughan was presented with a proclamation from the mayor declaring November 26, 1989 "Stevie Ray Vaughan Day."

On January 3, 1990, Vaughan gave a speech and addressed the Aquarius Chapter of Alcoholics Anonymous. On January 30, Vaughan made his first appearance on MTV Unplugged in New York City. It was originally scheduled for Vaughan to do a closing jam with Joe Satriani, but Vaughan said he had to leave right away.

Vaughan had spoken two years earlier about wanting to help produce an album with his brother, Jimmie Vaughan. That time came in March 1990, when the Vaughan Brothers went to work at the Dallas Sound Lab, the same studio used to record Soul to Soul.

Around this time, Vaughan said that singing was becoming painful for him due to a condition he called "hamburger throat." He received acupuncture to his neck, but still had to take cortisone shots to relieve the pain, which caused his face to swell.

Death

On August 25 and August 26, 1990, Vaughan and Double Trouble finished the summer portion of the In Step Tour with shows at Alpine Valley Music Theatre, just outside of East Troy, Wisconsin. The show also featured Robert Cray & His Memphis Horns, and Eric Clapton, who played the closing set, also bringing all the musicians back onstage for an encore jam.

Double Trouble drummer Chris Layton recalls his last conversation with Vaughan backstage. He then remembers Vaughan saying he had to call his girlfriend, Janna Lapidus, in Chicago, before heading out the door to the helicopters, which had been arranged for flight (through Omni Flights) by Skip Rickert, Double Trouble's tour manager.

The musicians had expected a long bus ride back to Chicago. However, Vaughan was informed by a member of Clapton's crew that three seats were open on one of the helicopters returning to Chicago with Clapton's crew, enough for Vaughan, his brother Jimmie, and Jimmie's wife Connie. It turned out there was only one seat left; Vaughan requested it from his brother, who obliged. At 12:44 a.m. pilot Jeffrey Browne guided the helicopter off the ground. Moments after takeoff the helicopter crashed into a ski slope and all five on board were killed. Although the crash occurred only 0.6 miles from takeoff, it went unnoticed by those at the concert site.

The search for the wreckage began at 5:00 a.m., finally being located two hours later with the help of its locator beacon. The cause of the crash was believed to be pilot error.

Chris Layton and Jimmie Vaughan did not find out about the crash until they returned to their motel in Chicago. The following morning Jimmie Vaughan was called to identify the body of his brother. The coroner's report stated that the cause of death was exsanguination caused by severing of the aorta. The severance was caused by high deceleration during crash impact.

Stevie Ray Vaughan is interred in the Laurel Land Memorial Park, Dallas, Texas.

Posthumous events and recognition

Vaughan memorial at Lady Bird Lake, in Austin, Texas.

September 1990 saw the release of Family Style.

The 1991 album The Sky Is Crying was the first of several posthumous Vaughan releases to achieve chart success. Jimmie Vaughan later co-wrote and recorded a song in tribute to his brother and other deceased blues guitarists, entitled "Six Strings Down".

The 1991 album of Bonnie Raitt, Luck of the Draw, was dedicated to him.

Many other artists recorded songs in remembrance of Vaughan, including Eric Johnson, Buddy Guy and Steve Vai ("Jibboom" on the album The Ultra Zone, 1999).

In 1991, Texas governor Ann Richards proclaimed October 3, Vaughan's birthday, to be "Stevie Ray Vaughan Day." An annual motorcycle ride and concert in Central Texas benefits the Stevie Ray Vaughan Memorial Scholarship Fund.

In 1992, the Fender Musical Instruments Corporation released the Stevie Ray Vaughan Signature Stratocaster, which Vaughan had helped design. As of 2007, the model is still in production. In 2004, Fender also released a limited edition exact replica of "Number One".

Stevie Wonder included a song on his 1995 live album Natural Wonder entitled "Stevie Ray Blues". On the album, Wonder refers to the song as "Stevie Ray Vaughan Blues".

Stephen King's short story "You Know They Got a Hell of a Band" concerns a small town called Rock and Roll Heaven that's populated by late rock musicians, one of whom is Vaughan.

In 1994, the city of Austin erected the Stevie Ray Vaughan Memorial Statue at Auditorium Shores on Lady Bird Lake,

In 2000, Stevie Ray Vaughan was inducted into the Blues Hall of Fame.

The last guitar that Vaughan played before his death is on display in the Hard Rock Cafe in Gatlinburg, Tennessee.

In November 2007, Fender Musical Instruments Corporation released a second tribute to Vaughan, an exact replica of his second beloved guitar: Lenny. This guitar was given to him by his wife Lennora ("Lenny") on his 26th birthday and Vaughan was very fond of it. According to Fender, the original Lenny was a 1965 Strat that he saw in the window of a pawn shop that he was unable to afford. The guitar is sold with a strap, a case with Vaughan's name embroidered in the fabric lining, a number of brochures and memorabilia and a leather bound certificate of authenticity.

Also in November 2007, Sony BMG, Epic Records, and Legacy Records released the CD Stevie Ray Vaughan & Friends: Solos, Sessions & Encores.

Stevie Ray Vaughan will become eligible for the Rock and Roll Hall of Fame in 2008.

In 2008, residents voted to rename Dallas' Industrial Boulevard, with Vaughan's name being one of the finalists alongside Stanley Marcus, Eddie Bernice Johnson, and Cesar Chavez.

Vaughan's blues style was strongly influenced by many blues guitarists. Foremost among them were Albert King, who dubbed himself Stevie's "godfather," Otis Rush, Buddy Guy, and Jimi Hendrix. The song "Rude Mood" is a direct derivative (according to Vaughan himself) of a Lightnin' Hopkins tune called "Lightning Sky Hop." He was also strongly influenced by early blues-rock guitarist Lonnie Mack, who, according to Vaughan, "really taught me to play guitar from the heart" (Davis, History of the Blues, DaCapo 2003, p. 246). Vaughan, who had idolized Mack since childhood, produced and played on Mack's 1985 Alligator Records album Strike Like Lightning and covered two Mack tunes from the early 1960s, "Wham!" and "Chicken-Pickin'" (which Vaughan renamed "Scuttle-Buttin',") as well as a Mack tune from the 1980s, "If You Have To Know." Vaughan's brother Jimmie Vaughan has stated that Johnny "Guitar" Watson was the guitarist he and Stevie studied the most.

Vaughan's sound and playing style, which often incorporated simultaneous lead and rhythm parts, drew comparisons to Hendrix; Vaughan covered several Hendrix tunes on his studio albums and in performance, such as "Little Wing," "Voodoo Child (Slight Return)," and "Third Stone from the Sun." He was also heavily influenced by Freddie King, another Texas bluesman, mainly in the use of tone and attack; King's heavy vibrato can clearly be heard in Vaughan's playing. Another stylistic influence was Albert Collins. By utilizing his index finger as a pick a la Albert Collins, he was able to coax various tonal nuances from his amplifiers.

Known for his warm blues-rock tone, Vaughan characteristically used very heavy strings on his guitar ranging from 13 to 56-gauge sets to give a fuller sound which he tuned down a half-step to the key of E flat.

Musicians such as John Mayer, Robert Randolph, Kenny Wayne Shepherd, Colin James, Jonny Lang, Jason Wayne Loftice, Los Lonely Boys, Mike McCready, Eric Johnson, John Petrucci, and Doyle Bramhall II have cited Vaughan as an influence.

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Richie Kotzen Guitar Ibanez

Richie Kotzen (born February 3, 1970 in Reading, Pennsylvania) is an American guitarist, singer, and songwriter.

At a young age, Richie Kotzen was taken by music and first began playing piano at the age of five. At the age of seven he was inspired by New York City band KISS to learn the electric guitar. Relentlessly developing chops and his own unique voice on the guitar, he started his career in a band named Arthur's Museum. Kotzen was eventually discovered by Shrapnel Records' Mike Varney, and he recorded his first album by the age of 19. During that same year, he also graced the cover of several publications including Guitar World Magazine. He created the video Rock Chops for REH video in 1989, highlighting many of his formative techniques, including using wide-intervals and fluid sweeping.

In 1991, Kotzen made his big break when he joined the rock band Poison at age 21, co-writing and performing on the album Native Tongue. This album produced two top twenty singles which Richie co-wrote, "Stand" and "Until You Suffer Some (Fire & Ice)". In 1999 Kotzen replaced Paul Gilbert as guitarist in the mainstream rock band Mr. Big. Kotzen maintained the band's enormous success, performing on the Mr. Big record Get Over It, which sold more than 175,000 copies in its first two weeks in Japan, eventually reaching platinum status. Kotzen also contributed guitars to Mr. Big's subsequent release Actual Size. The record included the Kotzen song Shine, which debuted at number one on Japanese radio charts. Following the disbanding of Mr. Big, Kotzen released the solo album Change, in 2003. The title track, and the song Get A Life were featured in TV commercials throughout Japan.

In 2002 Kotzen bought a commercial building in Los Angeles and established a recording Studio/Production company. He has since been producing acclaimed solo albums and collaborating with various figures in rock, jazz, and fusion including jazz legend Stanley Clarke.

In mid 2006 Kotzen was the opening act in Japan for the Rolling Stones on their Bigger Bang tour.

He has also covered various songs from the Gundam franchise including Soldiers of Sorrow, The Beginning, and Fly! Gundam.

Richie Kotzen has used Fender electric guitars for most of his career. His most notable instruments are his signature model Telecasters and Stratocasters, as well as other custom made models. Currently, there are two Richie Kotzen signature models, made by Fender Japan - a Stratocaster (STR-145RK) and a Telecaster (TLR-155RK). Both guitars feature ash bodies with flame laminated maple caps, maple necks and one piece maple fretboards with 22 super jumbo frets. The Telecaster model features a DiMarzio Chopper T pickup in the bridge position (single spaced humbucker) and a DiMarzio Twang King in the neck position. The Stratocaster is fit with three custom made DiMarzio single coil pickups.

At the beginning of his career, Richie Kotzen used Ibanez guitars and Laney amplifiers, later moving on to Fender guitars and Marshall amplifiers in the early 1990s. He used Marshall Super Lead, JCM800 and JCM900 models.

In 2005, Cornford Amplification issued a Richie Kotzen signature model - RK100, a single channel tube amp head developed and designed in collaboration with Kotzen to suit his expansive playing style. There is also a matching signature model speaker cabinet, equipped with four Celestion Vintage 30 12" speakers. Both the amplifier head and the speaker cabinet are the only Cornford models fit with Kotzen-style black tolex covering. However, if on tour, Kotzen will use amplifiers supplied by the venue, as requested, most likely Cornford models or Marshall JCM900 master volume heads.

Kotzen prefers not to use many pedals (effects in general) when playing live. Therefore, currently he only uses a Boss TU-2 pedal tuner and a footswitch to control the gain level of his Cornford amplifier. However, during his career, he has used Sobbat DriveBreaker distortion pedals (DB-1, DB-2 and DB-3), a Guyatone Wah-Rocker, a Dunlop Crybaby and Rotovibe pedal, a Boss DD-3 delay, Boss OC-2 octave and Boss CE-5 chorus pedals, etc.

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Slash Guitar Ibanez

SLASH was born in Hampstead (London), England on July 23, 1965, and he was raised in Stoke-On-Trent, Staffordshire, England. His given name is Saul Hudson. His mother is a Black American, and his father is a white Englishman. Both parents are artistic and work in the entertainment field. His mother is a clothing designer for entertainers. She designed some of David Bowie's unforgettable costumes. His father provides art direction for record albums. Two notable clients are Neil Young and Joni Mitchell.

At age 11 SLASH moved to Los Angeles with his mother while his father remained based in England. Born in the UK, SLASH was an immigrant in the United States and was to remain one for many years. The family eventually lived together again in L.A. where SLASH had a rough transition to conservative Southern California. The long hair, jeans and t-shirts that he wore even then didn't exactly fit with the other kids. An outsider at school, he lived a bohemian life at home. Surrounded by artistic friends of his parents, SLASH grew accustomed to the moods and eccentricities of those in the music world. Frequent visitors at the Hudson household included Joni Mitchell, David Geffen, David Bowie, Ron Wood and Iggy Pop. SLASH has said that these surroundings prepared him for coping with the stress of the music industry, the conflict between artistry and business.

In the mid-1970's, his parents separated. SLASH moved in with his beloved grandmother until he could sort out the situation at home. About this time SLASH discovered BMX (bicycle motorcrossing), joined up with a group of kids, and rode with a passion. It's not surprising to hear that SLASH would ride without brakes! SLASH eventually became a professional BMX biker winning awards and money for his great riding.

While in junior high school (age 15), SLASH's grandmother gave him his first guitar. Although it had just one string, SLASH was able to learn to play. SLASH's early musical influences were Led Zep, Eric Clapton, the Rolling Stones, Aerosmith,Jimi Hendrix, Jeff Beck, Neil Young. He credits the Aerosmith album ROCKS with changing his life. Getting to play with the musical idols of his life means a lot to him. Standing on a stage in Paris with Jeff Beck and Joe Perry was overwhelming. SLASH also has gotten to play with guitarist "god" Eric Clapton. He has played with many other artists including Lenny Kravitz, Paul Rogers, Iggy Pop, Michael Jackson, Brian May to name just a few.

Soon the bike was put aside. SLASH devoted at least 12 hours a day to playing guitar. His schoolwork suffered when he skipped classes and sat in the bleachers all day playing guitar. School may have suffered, but his social life got better! The other kids now thought SLASH was cool, and he was no longer a social outcast. SLASH joined band after band jamming with other young musicians. Eventually, SLASH gave up on school and dropped out in eleventh grade. Another education was waiting for him in the L.A. band scene. SLASH met Steven Adler, formed the band Road Crew, and was looking for a good singer. Then he met Izzy Stradlin who played him a tape of W. Axl Rose singing. SLASH went to see Axl perform and immediately wanted to steal him from Izzy, but the two Indiana natives were fast friends. SLASH found his bass player in Duff McKagan when Duff answered an ad SLASH had placed in the paper. All the players changed combinations, but the result was Guns N'Roses! With a lot of talent and a lot of drive, the band became an international success story.

After the Illusions tours, Guns N'Roses went on a well-deserved hiatus, and SLASH became a U.S citizen. He decided that immigration hassles, lost green cards, etc. were just too timeconsuming for his lifestyle. So SLASH became a citizen of the United States. Welcome, SLASH! About this time, SLASH became restless and decided to form a new band as a side project to his GNR work which seemed to be taking forever to get started. Matt Sorum, Gilby Clarke, Mike Inez, Eric Dover, and SLASH formed SLASH's Snakepit and recorded the album IT'S FIVE O'CLOCK SOMEWHERE. Never content to stay home and smell the roses, SLASH went on the road with his touring band: Gilby Clarke, Brian Tichy, James Lomenso, Eric Dover. Playing to small venues, SLASH was able to get back to playing in clubs and being toe-to-toe with the audience. IT'S FIVE O'CLOCK SOMEWHERE went platinum worldwide, and SLASH promised that Snakepit would be back again.

In the summer of 1996, SLASH was invited to play at a blues concert in Budapest, Hungary. He got together some musicians and headed for Europe. From this beginning came a terrific band called SLASH's Blues Ball. And though this band never recorded an album, it was in big demand by promoters and fans.

While this was going on, SLASH was waiting for Axl Rose to get Guns N'Roses together. SLASH and Axl had talks about the musical direction of the band. SLASH saw GNR as a rock band while Axl Rose wanted to go in a more techno/industrial direction with GNR. After many, many meetings and heated discussions, SLASH resigned from GNR in October 1996 with Rose retaining the rights to the band name. SLASH didn't sit at home with his head in his hands. He got busy with Blues Ball! Blues Ball played blues covers, so they could start playing gigs right away. Throughout the end of 1996 till the fall of 1997, SLASH's Blues Ball played at clubs throughout California, into the southwest and the northeast. Blues Ball has rolled away for the time being but may play some one-offs. You just never know with SLASH!

When SLASH left Guns N'Roses, his many fans wondered what he might be going do with all that talent and personality. The media were wondering, too. At first, there was speculation that the Axl - SLASH rift would be of short duration and a reconciliation was inevitable. SLASH had been quoted as saying that when Axl Rose was ready to make a rock and roll album, he would be back. As Rose filled GNR with hired guns and unknowns, SLASH made it clear that Snakepit will be his permanent band. He says he could do a one off or a short tour with the original band, but he would never walk on stage with a band pretending to be the Guns N'Roses band.

As promised, SLASH brought back Snakepit! He had 300 demo tapes from musicians who wanted to be in his band. He settled on drummer Matt Laug (formerly with Venice) and bassist Johnny Griparic (formerly with SLASH's Blues Ball). Rhythm guitarist was at first Ryan Roxie. Ryan was in Dad's Porno Magazine and Alice Cooper's band. Ryan did the pre-album tour and the recording, but then decided to stick with his many other bands. SLASH was able to enlist the wonderful Keri Kelli as the band's second guitarist. Snakepit's vocalist is a newcomer, Rod Jackson, from Virginia and the band Ragdoll there. The new album was released October 10, 2000 in the US with the upbeat title Ain't Life Grand. Elsewhere in this website, you will find some song clips, lyrics and reviews. SLASH's Snakepit began their tour by opening for AC/DC on the North American leg of their tour. This gave the band huge exposure. The band toured the Far East with great results and and then did a European tour in December. In February 2001, the 'pit launched a club show in the US. The tour did very well, but on March 11, SLASH came down with the flu and the rest of this tour was cancelled. The band was also to open for AC/DC again in March in the US until SLASH's flu turned into pneumonia. It's hard to imagine this dynamo stopped by illness, and he won't be for long. May 2001 finds SLASH recuperating and planning the next leg of the tour. Snakepit gave its last performance in July 2001. The band went home for some rest before recording the next album. The rest time was getting long, so Snakepit (minus SLASH) got together to write some songs. Sadly, SLASH announced publicly that Snakepit was no more. SLASH was breaking up the band in order to do some solo projects of his own. He said that he had been through all that excitement of touring and arranging gigs when he was starting out. He was glad the guys had a good time, but he was not interested in repeating what they had done. So, Snakepit band members disappeared to other bands.

SLASH then decided he would do a solo project involving music from different countries. He would use guest musicians, but he would write all the music. At the same time, he started jamming with Duff and Matt. Soon, this project went from "not a high priority" to the three ex-Gunners' sole focus. Izzy was in and out, and The Project (this site gave it this temporary name) had music and some lyrics for 40 songs. Izzy decided he did not want to tour although he might jump in and out of a tour, and the guys picked up the guitarist from Duff's Loaded band, Dave Kushner. In early 2003, The Project auditioned vocalists. After throwing the job open to experienced and unknown singers, Scott Weiland, ex-Stone Temple Pilots was selected. The band called themselves Velvet Revolver and played their debut gig in the summer of 2003 at the El Rey theater in L.A. The band did some soundtrack work on The Hulk and The Italian Job and found a label (RCA). Velvet Revolver was to have their debut CD in the hands of the label by year's end 2003, and they had it in by 12/19. Unfortunately, Scott Weiland continued to have drug and legal problems that kept pushing the release date back further and further. The album title is Contraband and the release date is now June 8. While Scott is doing rehab, SLASH and Duff have been doing global promo! They promise a worldwide tour after the album is released. The first single off the album is "Slither", and a video was done where fans took part. The second single was "Fall To Pieces" with a video where fans again took a small part. The third is "Dirty Little Thing" with some great animation and graphics. The band received a great honor in being nominated for three Grammy awards and carrying away one for Best Rock Guitar Performance ("Slither"). Every day there is news on this great band and/or SLASH solo work. Here, we just hit the high points. For additional, frequent information, check out the Velvet Revolver on this site. Also follow the News Section for additional updated information on SLASH's new band. Rock 'N' Fuckin' Roll!

SLASH's life once seemed a symbol of rock and roll decadence, but things have calmed down with him in some ways. Once a heroin addict, SLASH has been off drugs for several years. His astounding drinking habits are sometimes in evidence, and he still smokes his Marlboros and Galitanos. A major change occurred when SLASH fell in love with Renee Suran. They were married October 10, 1992 in Marina Del Ray, California. Renee stayed out of the rock spotlight but was described as beautiful, sweet, and very much in love with SLASH. She pursued her own career as model and actress. Renee and SLASH both appeared in Howard Stern's movie "Private Parts". The two separated and divorced in the fall of 1997. They remain friends. After his divorce, SLASH was in Las Vegas when he ran into a young woman he had known for many years. Her name was Perla Ferrer, and the couple soon began dating seriously. Perla and SLASH eventually started living together, and fans started seeing Perla on the SLASH's Snakepit tours and his appearances in clubs or on TV. It became clear that Perla was someone very special to SLASH, and in 2000, the two became engaged to be married. Perla's beautiful, sparkling diamond ring was designed by SLASH himself. On October 15, Saul Hudson married Perla Ferrar in Maui in a solemn relgious service there. The bride wore a strapless, pleated white wedding gown and carried a beautiful floral bouquet that matched those in her long brown hair. SLASH wore new black leather pants, a white shirt, his faithful black leather jacket and a floral lei matching Perla's flowers. All their fans and friends and families wish Mr. and Mrs. Hudson a wonderful married life. The Hudsons returned to Los Angeles where they will buy a new home. In February 2002, SLASH and Perla announced that they are expecting their first child in September! On August 28, 2002 little London Hudson made his appearance! Despite some problems Perla had with the pregnancy, London was in excellent condition. He is a beautiful baby and the center of the family. SLASH just loves him so much, and he always has a sweet story about his son. As London approaches his second birthday in the summer of 2004, the Hudson's were also looking forward to the birth of their second child at the end of April. Cash Anthony Hudson was born on April 22, a healthy baby boy. SLASH's lifestyle has changed over the years. From being a wild rocker, SLASH has settled into a role of husband and father. Some things about SLASH don't change - his love for his music, his wife, his fans and his friends as well as the California climate and the Los Angeles setting. If you are in the Sunset Boulevard area, you might run into SLASH hanging out with Perla and his friends or jamming with a band on the Strip. He looks healthy and happy and a little more settled, but you can still see a little of that devilish rocker in his eyes!

About his small tv and movie parts, SLASH says that he is not looking to become an actor. He loves music and plays with a lot of artists. He seems not to have changed from the young musician who formed band after band, always looking for another chance to play. It was a family friend who nicknamed Saul Hudson "SLASH". He said SLASH was always in a hurry, zipping around from one thing to another. He named SLASH well!

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